Widow's Bay
A horror-comedy created by Katie Dippold in which the mayor of an isolated New England island tries to develop tourism just as the community's supernatural legends begin becoming real again.
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Seasons
Our review
Widow's Bay — laugh at the monster until you realize it is already in the room
Widow's Bay achieves a blend many shows promise and few genuinely sustain: it is funny without neutralising fear, then frightening without treating its characters as disposable props. Matthew Rhys gives the series its centre, but Kate O’Flynn, Stephen Root and the wider community give it a soul. Its mythology is occasionally less precise than its references and the final third heavier than the opening stretch, yet the season has a voice, rhythm and cast distinctive enough to make the ferry trip thoroughly worthwhile.
PROS
Matthew Rhys turns Tom's cowardice and vanity into genuine dramatic engines
Kate O’Flynn gives Patricia remarkable depth beyond comic eccentricity
Stephen Root and the supporting ensemble make the community feel lived-in
CONS
The final stretch loses some of the opening episodes' comic looseness
Some horror references are stronger than their connection to the mythology