News, reviews and features on TV series
There is no mystery about who the monster is in Nocturne. Stephen Graham's Jurek Walter is right there, separated from his pursuers by prison glass. The tension in Apple TV's new trailer comes from a nastier question: how close will Liev Schreiber's Jonah Lynn and Zazie Beetz's Saga Bauer have to get before he gives them what they need?
Telling Matthew Perry's story comes with an obvious problem: Chandler Bing is almost impossible to keep out of the frame. The trailer for Netflix's The One About Matthew Perry suggests the documentary will confront that problem directly, using the memories of the people closest to Perry to look past one of television's most recognizable characters.
Choosing a streaming service on a tight budget once looked simple: compare four monthly prices. That no longer works in 2026. Netflix operates in more than 190 countries, Prime Video says it is available across more than 240 countries and territories, while HBO Max has expanded beyond 100 countries. Prices, catalogues and even the availability of ad-supported plans change from one market to another. For a small budget, the more useful question is which service manages to preserve its value across very different parts of the world.
Netflix spends heavily in South Korea, yet the economics remain very different from endlessly producing US-scale prestige shows. Ampere Analysis estimates Korean content has accounted for roughly 8% to 9% of Netflix viewing since 2023. That efficiency helps explain the streamer's enthusiasm for Seoul. It is also creating a problem: the more successful the model becomes, the more Korean production costs rise.
A black sky, lightning, and Dwight Manfredi standing alone in the middle of the road: Tulsa King's new key art is not exactly advertising a peaceful retirement. Paramount+ has released the official Season 4 trailer ahead of its October 16, 2026 premiere, placing its aging gangster inside a familiar contradiction. Dwight wants to bring his empire into the light just as everything around him threatens to drag it back into the shadows.
The comeback is no longer merely a project. ELEPHANT Story has announced the start of production on La vie est un long fleuve tranquille, Netflix's series adaptation of the 1988 French comedy. The names remain, as does the baby-swap premise, but the Groseilles and Le Quesnoys will now wage their class war under the Arcachon sun.
Reacher is still working his way through his fifth television mission, but his next one is already guaranteed. Prime Video has renewed the Alan Ritchson series for Season 6 while Season 5 remains in production, turning an already early renewal strategy into something even more aggressive.
Behind Sterling Archer and his parody of an irredeemable superspy, Adam Reed's series built an extraordinarily precise ensemble comedy. Not every reinvention worked equally well, but its dialogue, characters and exceptional voice cast allowed it to outlive its own formula across fourteen seasons.
Beneath its comforting cases and endless cups of tea, The Mentalist spends seven seasons building the portrait of a man whose charm is as useful for solving crimes as it is for concealing a self-destructive obsession. Simon Baker gives Patrick Jane irresistible lightness, Robin Tunney gradually turns Teresa Lisbon into his moral counterweight, and their relationship ultimately becomes more durable than the Red John mythology itself. The procedural formula repeats and the serial-killer arc is stretched far too long, but the series understands its characters better than it always controls its suspense.
At first glance, the number is straightforward: roughly 6 million viewers for each of the first two episodes of The Traitors: New Blood. The route to that number is more revealing. Initial NBC audiences were considerably smaller, before repeats, delayed viewing and Peacock transformed the picture. The launch is therefore less a story about broadcast television suddenly roaring back than about NBCUniversal making one franchise move successfully between broadcast and streaming.
Katie Dippold turns a cursed New England island into a municipal comedy, a horror series and a drama about residents who cannot leave their past alone. Matthew Rhys excels as a mayor convinced that the irrational can somehow be managed, while Kate O’Flynn and Stephen Root keep Widow's Bay from becoming merely a vehicle for its star. Horror references occasionally overshadow the mythology and the final stretch loses some of the early comic balance, but this remains a remarkably distinctive first season.
The Habsburg court now has a date for its final audience. Netflix will release the third and final season of The Empress worldwide on November 12, 2026. The six-episode conclusion is not setting up a peaceful farewell for Elisabeth and Franz: war trauma, infidelity, declining health and a journey away from Vienna are all built into the official synopsis.
CBS ended S.W.A.T. after eight seasons, but Sony Pictures Television never treated that decision as the death of the property. S.W.A.T. Exiles is now streaming on Starz in the United States with Shemar Moore back as Daniel “Hondo” Harrelson. The more interesting story sits behind the premiere: Sony developed and completed the spin-off without a US network attached, then sold it to Starz and a long list of international broadcasters and streamers.
HBO brings Green Lantern back to Earth as a rural crime drama built around a veteran who does not want to hand over his place and a successor who refuses to be treated like a spare part. Kyle Chandler and Aaron Pierre give that relationship enough weight to carry a season deliberately short on spectacle. The shifting timelines and several overextended stretches, however, keep this superhero-detective hybrid from being quite as precise as it wants to be.
American Horror Story: 13 is turning out to be more than an anniversary-season reunion. With its first three episodes now released, Ryan Murphy says the new installment was designed as a concentrated dose of the show's earlier DNA. Murder House, Coven and Hotel are the three reference points he names most clearly. One major Hotel figure, however, is absent: Lady Gaga is not part of Season 13.
Maria Sten turns Reacher's highly effective ally into a convincing lead of her own, more cerebral and emotionally exposed than her former commander. The mystery moves well, the new ensemble quickly finds a rhythm and the action still lands. Yet between pharmaceutical conspiracies, cults and an insistent excavation of Neagley's past, this first season is still searching for the identity that would make it feel like more than Reacher built around a different silhouette.
The Beast in Me is no longer a one-season story. Netflix has officially renewed the thriller for Season 2, with Claire Danes returning as Aggie Wiggs and executive producing. Howard Gordon and Daniel Pearle will co-showrun the new installment as Gordon also enters a broader exclusive creative relationship with Netflix.
Across seven episodes, with a strong ensemble and the dunes of Bergen as its immaculate backdrop, The Perfect Lie finally gives Saskia Noort's story room to breathe on screen. Its interrogation structure is addictive and the secrets circulate efficiently, although the series sometimes mistakes a growing pile of revelations for genuine character depth.
New Money did not begin inside a studio development pipeline. Mekki Leeper first made and financed a pilot himself. Prime Video has now ordered the concept to series, turning that independent experiment into an Amazon MGM Studios production.
What began as an excellent one-joke premise has grown into one of streaming's most engaging rural chronicles. Clarkson's Farm remains funny because Jeremy Clarkson gets things wrong, but more importantly because Kaleb, Charlie, Lisa and the farm itself keep refusing to let him be right. Season five also exposes the limits of a show increasingly divided between agriculture, commercial expansion and the celebrity orbit of its owner.
Netflix has secured a much longer future with Sesame Street. Its deal with Sesame Workshop now covers new seasons through Season 62, while a separate film project brings Rideback into a partnership that increasingly looks like a broader franchise strategy.
Across three seasons, Tulsa King has turned a strong fish-out-of-water premise into an eccentric mob Western powered by Sylvester Stallone and an increasingly lovable crew of outsiders. It is at its best when it embraces its own absurdity rather than pretending to be meticulous prestige crime drama.
Prime Video ended one Reacher run and started another on the same day. A week later, Samba TV's chart has Reacher at No. 1 for a sixth consecutive week and Neagley entering directly behind it.
Across six episodes, The Doll turns Bolesław Prus's classic into a tense social melodrama driven by desire, money and class pressure. Sandra Drzymalska and Tomasz Schuchardt anchor an impressively mounted adaptation whose narrative ambitions occasionally exceed the space available to contain them.
For months, the idea of more Glee consisted mostly of Ryan Murphy saying that he might like to revisit it. There is finally something more substantial than nostalgia on his desk. Murphy has completed a script with Brad Falchuk and Ian Brennan and has started talking to members of the original ensemble. That still does not make it an ordered television series, and right now that distinction matters more than any reunion speculation.
House of David is getting the third season Amazon promised in July, but it will not go any further. Wonder Project and Amazon MGM Studios have now confirmed that the episodes filming in Greece are the show's final chapter, completing the specific story its creators say they planned from the beginning: David's journey from anonymous shepherd to the throne.
Netflix has changed the century, the gender of its central subject and almost the entire cast, but Monster still knows how to open quickly. The Lizzie Borden Story debuted at No. 1 on the global English TV chart with 12.1 million views. After Jeffrey Dahmer, the Menendez brothers and Ed Gein, the anthology is showing that its audience may now be attached as much to the Monster label as to any individual criminal case.
Teagan Tao will not be stuck on the dock for long. Netflix has renewed Crew Girl for Season 2 only 12 days after its eight-episode debut. The timing comes with an obvious signal: the YA rowing drama more than doubled its viewership in week two and climbed to No. 2 on Netflix's English-language TV chart.
Westeros will not be taking another two-year break. HBO says A Knight of the Seven Kingdoms Season 2 will arrive before May 31, 2027, putting Dunk and Egg back on screen little more than a year after the show's January 2026 debut.
Heated Rivalry has confirmed a casting secret that had already become increasingly difficult to keep. Set photos had pushed David Tomlinson into fan speculation, and Crave has now made it official — while revealing one adaptation change book readers noticed immediately. Dallas Kent is now Cody Kent.
Netflix is done pouring margaritas in Serenity, but it is not moving away from the kind of television Sweet Magnolias helped define on the service. The series has ended after five seasons, while showrunner Sheryl J. Anderson is already setting up Ladies of the House at the same streamer with JoAnna Garcia Swisher producing. One show is gone; much of the creative logic behind it is staying.
Michelle Pfeiffer did not announce her retirement. She did not even announce that she was leaving movies. A deliberately exaggerated comment about never wanting to carry another film by herself was enough to produce retirement headlines anyway. Pfeiffer has now made the distinction clear: she still wants to work.
Ewan McGregor is no longer simply waiting for Lucasfilm to send him an Obi-Wan Kenobi script. Four years after the Disney+ limited series, he is coming up with possible stories himself. One of them would send Obi-Wan looking for Yoda after the Jedi Order's collapse. The important part is what has not happened: Lucasfilm has not put that project into announced development.
The Meghan Markle rumor has changed context in a matter of weeks. When reports first connected her to The Gentlemen, Netflix had not even renewed the show for a third season. That part is now official. Guy Ritchie's series is coming back. Markle's involvement, however, remains exactly where it started: in the negotiation column.
Kate Wyler has spent three seasons dealing with international crises while attempting to keep her marriage functional. Season 4 finds a rather efficient way to combine both problems: Hal is now vice president, Grace Penn is president, and the two of them have discovered that they work dangerously well together.
Westworld begins as a dizzying story of emancipation, driven by Dolores, Maeve, Bernard and one of television's most compelling worlds of the 2010s. Later seasons retain the performances, visual ambition and questions about consciousness and free will, but increasingly complicate their storytelling until the machinery sometimes overwhelms the emotion inside it.
The chair on set now says simply “Fin.” Emily in Paris has completed production on its sixth and final season after one last itinerary through Greece, Monaco and Paris. Netflix will release Emily Cooper's farewell on Christmas Eve.
Alex is supposed to be reaching the part of life where there is finally a little more room for herself. Youth immediately makes that assumption look optimistic. Sharon Horgan's new HBO comedy premiered with two episodes on September 20 and gives its protagonist romance, family duty and an almost-grown son all at once.
There is not much suspense surrounding MobLand's future. Season 2 premiered globally on Paramount+ on September 18, while the service had already renewed the crime drama for a third season two weeks earlier.
PBS has brought Trespasses to US audiences from September 20, placing an intimate affair inside the pressure of Northern Ireland in 1975. The Channel 4 drama arrives as a compact four-part story rather than another open-ended period series.
Netflix has already shown Emma Corrin's Elizabeth Bennet staring into the distance and Jack Lowden's Mr. Darcy riding through the countryside. The latest reveal is more useful: nearly the whole social machinery of Jane Austen's novel now has a face, and the six-part series finally has a date — December 3.
Robert Langdon is back in front of cameras, and Netflix is giving his next puzzle considerably more room than a two-hour movie. Production has begun in Prague on the still-untitled series inspired by The Secret of Secrets, with Morgan Spector taking over as Langdon and Rebecca Hall starring opposite him.
Netflix has assembled a striking trio for a story that needs considerably more than star power. Jessica Chastain and Amy Ryan are joining Emilia Jones in The Retrievals, Molly Smith Metzler's drama inspired by Susan Burton's investigative podcast about patients at the Yale Fertility Center.
The raw number looks like the beginning of a success story: roughly 1.9 billion U.S. viewing minutes in the first half of 2026. Wonder Man was nevertheless canceled after Disney had already ordered another season. Luminate's audience analysis suggests the contradiction becomes less dramatic once retention, catalog viewing and estimated cost are added to the picture.
Netflix and Sega have turned three adaptation announcements into a broader industry play. Crazy Taxi, Sonic and Stranger Than Heaven will anchor a new multi-title collaboration designed to move across live-action film, children's animation and crime drama.
Slow Horses no longer appears to live by the usual streaming rule of waiting nervously for renewal news. Apple TV has ordered an eighth season just as Season 6 begins its weekly run, keeping Gary Oldman's Jackson Lamb firmly employed and moving directly toward another Mick Herron novel.
Steel Ball Run's opening episode started a race measured in thousands of miles and then left Johnny Joestar and Gyro Zeppeli near the beginning of it. Netflix is finally moving the journey forward. The 2nd and 3rd STAGE begin September 25 with eleven weekly episodes, a brutal desert crossing and a place called the Devil’s Palm that makes an already lethal horse race considerably less reasonable.
After twelve installments spent changing houses, decades, monsters and occasionally its own rules, American Horror Story is finally doing something more dangerous: putting its history in the same room. Season 13 premieres September 24 with Jessica Lange, Sarah Paulson, Evan Peters, Angela Bassett, Emma Roberts and a collection of characters the anthology once left behind.
A house is being calmly transported across the water when something suddenly pulls the entire building beneath the surface. Below does not need to reveal its monster to establish the threat. On October 8, Josh Hartnett will try to protect a small Newfoundland community from whatever is in the ocean — and from secrets that have been waiting there for much longer.
The Harrigans are going back to war with one unusually comfortable piece of information: Paramount+ has already decided they are worth another season. MobLand Season 2 premieres September 18, while Tom Hardy, Pierce Brosnan and Helen Mirren are already officially confirmed to return for Season 3.
Netflix has rebuilt more than the Chocolate Factory for Wonka's The Golden Ticket. The new reality competition will also feature a recreated version of Gene Wilder's Willy Wonka voice. Wilder died in 2016, and his estate has explicitly approved the use. What Netflix has not explained is the technology behind it.
Every generation eventually gets an Elizabeth Bennet and a Mr. Darcy to argue over. Netflix now knows when audiences will meet its pair. Emma Corrin and Jack Lowden lead the new six-part Pride and Prejudice, which begins streaming on December 3 with Dolly Alderton adapting Jane Austen's most famous romance.
Jack Reacher no longer has to carry his entire television universe by himself. Prime Video has released all eight episodes of Neagley, moving Maria Sten's longtime supporting character into the lead and testing whether one of Amazon's biggest action properties can expand beyond the man whose name built it.
Lizzie Borden was tried and acquitted in 1893. The murders of her father and stepmother have never been conclusively solved. Monster is taking a far less agnostic approach. Its fourth season puts Ella Beatty at the center of the bloodshed and treats the famous case less as a whodunit than as the origin story of a woman transformed into cultural myth.
Netflix is no longer waiting to see whether Eddie Horniman can get out of the business. The Gentlemen has officially been renewed for an eight-episode third season, with Guy Ritchie returning behind the camera. The decision was made before Season 2 even reached subscribers.
For a show that turned “Hollywood Week” into part of its vocabulary, this is a fairly dramatic change of address. American Idol is moving production from Los Angeles to Georgia for Season 25, as the wider decline in California television production continues to put pressure on crews and studios.
Production has officially wrapped on Scooby-Doo: Origins in Atlanta, and Netflix's version is looking less like a straightforward live-action recreation with every new detail. Mystery Inc. does not exist yet, Scooby is an actual dog, and the gang's first case begins with a puppy that may have witnessed a supernatural murder.
Lonesome Dove already has two imposing shadows hanging over any new adaptation: Larry McMurtry's Pulitzer-winning novel and the celebrated 1989 miniseries. Netflix is going back to the source anyway, handing the new series to Zoe Kazan and Jeb Stuart immediately after their work together on East of Eden.
The Diplomat has always treated marriage and foreign policy as two versions of the same unstable negotiation. Season 4 appears ready to push that idea much further, with Grace Penn and Hal Wyler building a dangerous partnership while Kate is left trying to contain both the international fallout and the personal one.
Slow Horses has reached the point where a new season can begin and somehow still feel like old news. Season 6 starts streaming today, but Apple is already looking two chapters ahead with an eighth season officially on the books.
Disney+ has acquired a brand that requires very little introduction. Yet the most interesting part of its Pokémon deal is not another conventional anime: it is Aardman, the Galar region and a knightly duck carrying a giant leek.
Kingdom Hearts has always looked one step away from becoming an animated television series. Disney worlds, original heroes, impossible mythology and Donald Duck shouting at monsters were already there. D23 finally supplied the missing part.
Thrawn made it home. Ahsoka and Sabine did not. That simple reversal now drives Season 2 of Star Wars: Ahsoka, which premieres January 20, 2027, on Disney+ with the New Republic facing an Imperial threat while Anakin Skywalker asks his former apprentice to decide what she actually is.
Percy Jackson is reaching the book the movies never touched. Season 3 adapts The Titan's Curse for the first time on screen, bringing Nico and Bianca di Angelo into the story while sending Percy after a missing Annabeth.
The Hawkins Investigators Club barely had time to celebrate. Stranger Things: Tales From '85 returns for Season 2 on September 17, sending Eleven, Mike, Will, Dustin, Lucas, Max and Nikki after a new paranormal threat that looks rather less like another ordinary Upside Down creature and a lot more like a haunting.
Hulu has greenlit Victoria, an erotic thriller that sends Li Jun Li into San Francisco's wealthiest circles with a very useful skill: she is playing a professional con artist. Unfortunately for Maxine Tao, someone who knows exactly what she is hiding is already watching her.
Another generation is getting its Elizabeth Bennet and Mr. Darcy. Netflix has released a new look at Pride and Prejudice, pairing Emma Corrin with Jack Lowden in a six-part adaptation that is deliberately presenting itself as a faithful return to Jane Austen rather than a radical reinvention.
Warrior Nun may finally have another path back to the screen. Simon Barry and Reality Distortion Field are negotiating for underlying comic-book rights that could support new movies and television projects. The catch is substantial: this is not a confirmed continuation of Ava Silva's Netflix story.
Hillman College is back in session. Netflix's A Different World sequel puts Deborah Wayne at the center of a new freshman class, but this is hardly a clean reboot: Jasmine Guy, Kadeem Hardison, Cree Summer, Darryl M. Bell and many more familiar faces are heading back to campus.
Netflix is taking Monster back to 1892. Monster: The Lizzie Borden Story arrives September 17, with Ella Beatty playing the Massachusetts woman who was tried and acquitted after the killings of her father and stepmother.
Guy Ritchie has found a television format spacious enough to keep indulging his fascination with impeccably dressed British criminals. Theo James and Kaya Scodelario make an excellent central pair, Daniel Ings repeatedly steals episodes, and the machinery remains delightfully absurd. After two seasons, however, those strengths are also becoming habits: dialogue forever chasing the final word, expandable narrative detours and characters occasionally less layered than their tailoring.
For several months, the behind-the-scenes version of MobLand sounded almost more violent than the show itself. Tom Hardy had supposedly been fired. Producers were allegedly exhausted. Helen Mirren was reportedly frustrated. Pierce Brosnan was somehow pulled into the feud narrative too. Then Paramount+ renewed the series with all three stars returning. At the Season 2 premiere, Brosnan finally offered a much smaller description of the scandal: a storm in a teacup.
American Horror Story spent twelve installments reusing its actors. Season 13 is reusing the entire universe. FX's new trailer has Fiona Goode, Cordelia, James Patrick March, Constance Langdon, Twisty, Madison Montgomery and characters from several other eras occupying the same event. Ryan Murphy is not hiding the strategy anymore: this is less a new anthology chapter than AHS assembling its own extremely dysfunctional Avengers.
Ransom Canyon had recognizable stars, attractive scenery, an established book series and enough unresolved relationships to continue for years. What it did not have was a stronger second-season audience. Netflix will not move forward with Season 3 after the July return opened substantially below the show's first season and dropped out of the global Top 10 after three weeks.
CBS could have built NCIS: New York by changing the skyline and leaving everything else alone. The people making it are at least describing a more ambitious plan. LL Cool J is bringing Sam Hanna home, Scott Caan is starting over with a new character, the office sits in Brooklyn, and production is moving across the boroughs while showrunner Byron Balasco pushes at the boundaries of the network formula.
Some manga receive anime adaptations while their first major story arcs are still being published. PSYREN finished in 2010 and spent the next sixteen years becoming the answer to a recurring question: why did this particular Shonen Jump series never get one? On October 5, that wait finally ends.
Bolt Crank has not starred in a new anime since 1998. Now the metal-eating wanderer is returning in EAT-MAN The Over Order, with Masashi Ebara back in the lead role and original creator Akihito Yoshitomi taking a much more direct hand in the story.
Briar University is already back in session. Prime Video has confirmed that Off Campus Season 2 is filming, but the more important change is sitting at the center of the story: Allie Hayes and Dean Di Laurentis are now the primary romance. Hannah and Garrett are staying in the ensemble, giving Amazon a chance to test whether its 36-million-viewer launch created loyalty to an entire fictional campus rather than just one couple.
Frieren is taking its time. Season 3 will not arrive until October 2027, roughly nineteen months after the second season ended. The production has at least removed one major uncertainty: the core creative team is staying together for the Golden Land Arc.
Blue Box has always found drama in places other shonen series might consider almost suspiciously quiet: an empty gym, an early training session, a look held half a second too long. Season 2 returns on October 4 with the same emotional machinery but a significantly different production team behind it.
The new Carrie trailer spends surprisingly little time pretending viewers do not know where this story eventually goes. Mike Flanagan is more interested in the buildup: a sheltered teenager entering public school, a mother whose idea of protection is inseparable from control, cruelty becoming viral content, and telekinetic power arriving inside someone who has been taught to fear almost everything.
Decades before modern anime turned transportation to another world into an industrial genre, From Far Away was already sending an ordinary Japanese schoolgirl somewhere she could not understand. Kyoko Hikawa's manga is finally becoming a television anime 35 years after serialization began.
Nippon Sangoku will not end with the fall of Seii. A sequel is officially in production, and its announcement footage has already shown an older Aoteru Misumi. There is no release date and not even a confirmed format yet, but the speed of the decision makes considerably more sense once the numbers behind the first season are considered.
Prime Video's next major young-adult romance already comes with an audience attached. The streamer has released its first official production images from Boys of Tommen, putting Nancy Surridge's Shannon Lynch and Conor Sánchez's Johnny Kavanagh on screen as filming continues on the adaptation of Chloe Walsh's BookTok-fueled series.
Monday's Emmys have two unusually clean pieces of television history sitting on the table. Jean Smart can complete an unprecedented run across every season of Hacks, while Harrison Ford can win his first Emmy after decades of being one of Hollywood's most recognisable actors.
Carrie White has always been trapped under other people's eyes. In 2026, some of those eyes belong to phones. Mike Flanagan's new Carrie trailer updates Stephen King's story around a simple, brutal change: humiliation can now leave the locker room before Carrie does.
The Undervale did not stay quiet for long. Haunted Hotel will return to Netflix on October 9, a little over a year after its first season, bringing Katherine's deeply dysfunctional household back for eight new episodes.
Netflix has spent at least seven figures securing the ingredients for Understudy: a Nicholas Binge short story, its author as screenwriter, and Phil Lord, Chris Miller and Steven Yeun among the executive producers. What it has not bought yet is a finished television series.
Landman has never been short on rich people. Season 3 is apparently interested in finding out what happens when someone even richer walks through the door. Michael Kelly has joined the Paramount+ drama as a series regular, playing an oil executive introduced first and foremost through the scale of his power.
Traditional dubbing asks viewers to accept a visible compromise: the translated words and the actor's mouth rarely match perfectly. Prime Video is now trying to remove that compromise from the picture itself. On Maxton Hall, the English dub can change what the actors' lips appear to say.
Tires did not begin with a traditional Netflix development deal. Shane Gillis, John McKeever and Steve Gerben built it themselves. Years later, Netflix has turned that homemade workplace comedy into a four-season business.
Gargoyles spent years waiting to wake up in live action. This version will not. The Disney+ adaptation being developed by Gary Dauberman and James Wan's Atomic Monster is no longer moving forward.
Harry Potter does not arrive on HBO until Christmas Day, yet the machinery around Year Two is already moving. Casting for Chamber of Secrets is underway, and HBO Max is simultaneously building a companion program designed to keep viewers inside the franchise after each episode ends.
After several seasons where its own cleverness occasionally became a burden, Rick and Morty reaches Season 9 with one of its strongest recent balances of absurd science fiction, filthy comedy and characters who actually carry the consequences of everything that came before.
Spider-Noir will not get a second season, but Nicolas Cage is not framing the cancellation as an unfinished tragedy. His response is almost aggressively tidy: one season, in his view, was enough.
The screen legacy of East of Eden tends to begin with James Dean. Netflix's new adaptation begins somewhere else. Florence Pugh's Cathy Ames dominates the trailer for a seven-episode limited series that intends to recover the broader, multigenerational shape of John Steinbeck's novel.
Robert Langdon is back on screen again, although Netflix is changing more than the actor. Production has officially begun in Prague on an untitled series inspired by The Secret of Secrets, with Morgan Spector taking over as Langdon and a television format giving Dan Brown's mysteries considerably more room than the films had.
Across three seasons, Silo has expanded from a superb claustrophobic mystery into a much broader story about control, memory and the manufacture of truth. Rebecca Ferguson remains its anchor, but the series has learned to function beyond Juliette. Its patience can become excessive, especially when mysteries circle before advancing. Season 3 nevertheless demonstrates why the wait is still worthwhile: when the pieces finally connect, few current science-fiction dramas reward attention this effectively.
Spider-Noir could easily have been an expensive style exercise: trench coats, voice-over, wet streets and a superhero repackaged as a 1930s private eye. Its first season frequently becomes more than that thanks to gorgeous photography, a Nicolas Cage performance allowed to be gloriously peculiar and a genuine affection for noir cinema. The mystery underneath is considerably more ordinary than the world built around it.
Kayce Dutton left the Yellowstone Ranch behind. Family trouble followed him anyway. The full trailer for Marshals Season 2 brings Tate back into the center of the conflict as Tom Weaver's pursuit of East Camp turns increasingly personal.
Snowfall chronicled the crack epidemic tearing through 1980s Los Angeles. The Drop: A Snowfall Saga moves forward into the 1990s, keeping Wanda Bell and Leon Simmons while changing the arena around them. Drugs have left the damage behind; West Coast rap is becoming the next force capable of reshaping the city.
Spider-Noir managed an unusual trick before it disappeared: it became Prime Video's most Emmy-nominated series of 2026 and then got canceled before those awards were even handed out. Nicolas Cage's first leading television role will end after eight episodes.
Carter and Sadie Kane have already survived angry Egyptian gods, magical politics and an embodiment of chaos on the page. Their screen adaptation has had a surprisingly difficult journey of its own. Netflix spent years developing Kane Chronicles movies and ultimately abandoned them. Disney+ is now trying again, this time as television.
There is a wonderful efficiency to the premise of Brothers. Matthew McConaughey and Woody Harrelson have spent years publicly discussing the possibility that they might share a biological father. Apple TV simply asks what would happen if that possibility detonated in the middle of a family vacation.
Netflix finally has cameras rolling on its next Robert Langdon mystery. Morgan Spector and Rebecca Hall have been photographed on location in Prague as production begins on the still-untitled series set in the world of Dan Brown's The Secret of Secrets.
Silo spent most of its life asking who controlled the truth. Its final season looks ready to ask what happens once enough people learn it. Apple TV has set July 9, 2027 for Season 4, and creator Graham Yost has chosen a remarkably uncomplicated word for the last chapter: war.
HBO is not waiting for Christmas to find out what Year 2 needs. Chamber of Secrets already has three of its most important additions, including the first significant young-character recast in the new Harry Potter series.
Avengers: Doomsday is pulling characters from several different corners of Marvel history into one movie. That sounds like a request for an MCU marathon. It is not. Marvel's confirmed cast and its own comments about the film give us a much shorter route to December 18.
Outer Range spent its first season circling the impossible hole on the Abbott ranch. Season 2 finally treated it as more than an eerie object in the landscape. Then Prime Video cancelled the series.
Prime Video has arranged the end of Reacher Season 4 less like a finale and more like a handoff. Six episodes are now available, two remain, and on September 16 the series will finish its current case just as Neagley gets an entire eight-episode season of her own.
HBO no longer needs to introduce its new Harry, Ron and Hermione. The second teaser can move on to the harder sales pitch: showing why Philosopher's Stone needs an eight-episode television adaptation when its story is already familiar to millions of viewers.
Durin and Disa's children have technically been in The Rings of Power for years. Season 3 is where the show intends to make them more than background members of the royal household.
Maxton Hall is opening its doors one last time, but Ruby Bell enters the final season from outside them. Prime Video's new teaser begins with the consequence hanging over Season 3: Ruby has been suspended, Oxford is suddenly in jeopardy, and clearing her name may expose problems that go well beyond school discipline.
For months, the biggest MobLand question was not what would happen to the Harrigans next, but whether Tom Hardy would still be there when it happened. Paramount+ has now removed the uncertainty by renewing the crime drama for a third season and confirming Hardy alongside Helen Mirren and Pierce Brosnan.
Jackie Price has spent twenty years making her old life disappear. Kill Jackie starts when somebody decides that retirement has lasted long enough. AMC+'s first full trailer makes Catherine Zeta-Jones the center of an unusually glamorous manhunt ahead of the series' October 2 U.S. premiere.
Milla Jovovich is the headline name in Heated Rivalry's latest casting announcement, but the roles matter more than the celebrity upgrade. Together with Kevin Zegers and Paul Gross, she fills in three parts of Ilya Rozanov's next chapter: his mental health, his new hockey environment and the institution governing the sport.
Wednesday turns the Addams universe into a teenage supernatural mystery without entirely escaping familiar Netflix habits. Jenna Ortega nevertheless finds remarkable precision in the role, Tim Burton gives the show a strong visual identity, and Season 2 improves on several weaknesses by emphasizing family, Enid and horror over romance.
HBO Max is expanding its presence in Japan, but Warner Bros. Discovery is not asking viewers to install another streaming app. It has chosen two established gateways instead: Hulu Japan and Prime Video. The distribution strategy may be as important as the content arriving with it.
Apple does not need to guess whether Small Prophets can attract an audience. The BBC already ran that experiment. Mackenzie Crook's peculiar mixture of grief, suburban life and homemade alchemy reached 7.7 million viewers for its premiere over 28 days before Apple acquired season one for a much wider release.
Most heist stories save the robbery for the point where all the planning finally pays off or collapses. 12 12 12 has chosen a less orderly arrangement. Apple’s new series will keep moving between what happened before the vault was hit, what happened during those twelve crucial hours and the consequences already waiting on the other side.
The biggest surprise in Apple's new Slow Horses trailer is not another MI5 crisis. Sidonie Baker is back, putting Olivia Cooke beside River Cartwright again for the first time since Season 1.
Monster is moving from Jeffrey Dahmer, the Menendez brothers and Ed Gein to a case with a very different legal ending. Lizzie Borden was charged with murdering her father and stepmother and found not guilty. Netflix's new trailer seems far less interested in preserving that uncertainty.
Prime Video did not wait until the end of summer to decide whether Sterling Point had a future. Megan Park's series, released on August 5, received a Season 2 renewal little more than two weeks later. Amazon describes it as a No. 1 global debut that captivated millions of viewers. The speed of the decision may be just as revealing as the unavailable raw numbers: YA and relationship-driven drama are becoming increasingly important alongside Prime Video's expensive action and fantasy franchises.
For months, a possible Top Gear comeback existed mostly as British television rumor: prospective hosts, anonymous reports and carefully noncommittal answers. The BBC has now settled the important part. Top Gear is returning. Almost everything about the people making that return remains deliberately unanswered.
RoboCop finally has a face again. Dan Stevens will play Alex Murphy in Prime Video's eight-episode reimagining, bringing the franchise back to the same uncomfortable starting point that powered the 1987 film: a corporation convincing a city that technology can fix policing.
Netflix has answered the renewal question before viewers have even seen the season that would normally decide it. The Gentlemen is officially returning for Season 3, with eight more episodes ordered ahead of Season 2's September 3 premiere.
Furious will not have to end its first season with a renewal question hanging over it. Hulu has ordered Season 2 before the August 31 finale, following steady audience growth since the thriller launched on July 27.
The four future members of Mystery Inc. already have faces. Netflix is now populating the suspicious people around them, and two of its newest choices are hard to predict: André Benjamin, better known as André 3000, and Cathy Moriarty have joined Scooby-Doo: Origins.
Charlie Brooker confirmed in January that Black Mirror would return. Seven months later, the eighth season has moved beyond development and into production, although Netflix is still revealing almost nothing about what is actually being filmed.
Wonka's The Golden Ticket is borrowing more than the gates, candy rooms and Golden Tickets from the 1971 movie. Netflix is bringing Gene Wilder's version of Willy Wonka back as a voice, ten years after the actor's death.
Grace Bernard already had a revenge plan. Netflix has now given its most important target a face: Clive Owen will play billionaire Simon Artemis opposite Anya Taylor-Joy in How to Kill Your Family.
Netflix owns the chocolate factories and the magical children. Its next Roald Dahl project is interested in murderous mothers, adulterers and con men instead.
The Unheard currently has no release date and no footage. Netflix nevertheless gave it one of the clearest attention-grabbing combinations in its new UK slate: Kate Winslet and Maxine Peake playing sisters, with Jack Thorne writing all five episodes.
Season 1 spent eight episodes trying to find Grand Admiral Thrawn. Season 2 gets the harder job: dealing with what happens after he makes it back. Lucasfilm's early footage points to a broader conflict split between the New Republic and the characters still stranded on Peridea.
Season one gave Leanne Murphy a problem she could point at: after 33 years of marriage, her husband left. Season two gives her something much less cleanly solvable. Her parents need help, they do not particularly want to need help, and family policy says they are moving into the house anyway.
Dark Matter already completed the obvious mission. Jason Dessen crossed impossible realities, found the family that belonged to him and escaped the man who had stolen his life. Season two has to answer the less tidy question: what does someone do after learning that every life he did not choose is still sitting behind a door he knows how to open?
The yellow campervan is probably the most innocent member of this friend group. All the Truth in My Lies arrives on Netflix on August 28 with five episodes, six people on a bachelorette trip and enough buried information between them to make sharing a small vehicle look like an unusually poor decision.
One Hundred Years of Solitude has spent two seasons making repetition feel inevitable: names return, desires return, mistakes return. Netflix is giving the last repetition some extra room. Instead of releasing the entire second half at once, the adaptation holds back its final chapter until August 26, when Laura Mora delivers a special episode designed during pre-production as something closer to a feature film than a standard television installment.
Nevermore remains the heart of Wednesday, but its walls are clearly becoming too narrow. While Season 3 remains in production in Ireland, Netflix has already confirmed that Jenna Ortega's Wednesday will take a detour through Paris. The new setting appears to support a broader ambition stated by the creators: expand the show's world without abandoning the mysteries of Nevermore and the Addams family.
